1.0Daniel Corbeilhttps://danielcorbeil.com/enadminhttps://danielcorbeil.com/en/author/daniel/rich600338<blockquote class="wp-embedded-content" data-secret="IgdReiYexR"><a href="https://danielcorbeil.com/en/demarche/">Statement</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://danielcorbeil.com/en/demarche/embed/#?secret=IgdReiYexR" width="600" height="338" title="“Statement” — Daniel Corbeil" data-secret="IgdReiYexR" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://danielcorbeil.com/wp-includes/js/wp-embed.min.js </script> The Art of Simulacra Fascinated by the suggestive power of the familiar, Daniel Corbeil ceaselessly examines things and beings. He reveals an array of referents within them while gleefully weaving analogic connections in his installations and photographs between the living…